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The Periphery

by Distoria

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1.
hugging the pillow, wrestling with sleep spent all day getting rained on in the street I clunk out a melody from so long ago the world has kept spinning, I have yet to be free spent so much time looking in the wrong direction but you're here I am not the person who wrote this song she left, or died, or wasn't here all along five years later, I find out you loved me and all this time, I had thought I was wrong spent so much time looking in the wrong direction but you're here this enjoyable burden in such close proximity can't take it anymore, man, fuck your disease these nights I'm so tired, don't want to descend to sleep to lose control of my thoughts to the land of dreams you're here spent so much time looking in the wrong direction but you're here
2.
23 04:17
the next time you see me I'll be making the rules, I'm not scared of you you can't own me but I can want you to left together once again it's the deadly sign, afraid of what I'll find go ahead and make your choice before I change my mind all I can do to stop thinking of you prechorus: well I can close my eyes, and I can hold my breath you're looking right back at me, and it's not gonna end, no bow down to the fact that I know that you want what you say that you mean but you don't I can see it in your eyes, I can see behind your lies that you want me to(o) chorus: I know it can't be the same, but I think we've got other people to blame, but I can't see me, you just breathe me and I'll disappear just another night where you're singing me love songs to apocalypses past, well I'd turn inside out for you but you don't even ask when we fall asleep, you hold me like you expect me to run from my sin peeling off the clothes won't help the smoke is in my skin all I can do to stop thinking of you prechorus chorus all I can do to stop thinking of you prechorus chorus
3.
4.
lay back down at the edge of the room he says, "I might as well be dead already," so why not try? so I said what he said I said he said he looked tire and old but gawky and empty what did he do to deserve immortality? why can't I fly? driving home in the darkest night with stars blanketing over but where is he going? chorus: challenge the sun the way they challenge everything and why can't you look at me the way I look at you? and why don't you see me when I'm red-rimmed and drowning? I'll challenge the sun, I'll challenge you something about reality something about progression; live alive, die young talking to himself as he drives forever, not seeing through the rain, but trying whoever said love is a slow form of suicide never fell this fast something about reality struck him as it fell from heaven and he smiled chorus lay back down on the edge of the room he says, "I might as well be dead already, but I can't try" I tried to get through with tears and screaming but he kept on pushing back, so I'm crying he checks my eyes one last time looking for some reason as to not believe but he doesn't find a way, and as a slave to air, he takes a deep breath and he says that he can't care for me chorus
5.
1875 00:43
6.
with our fists as planets, we act out the sky days disappear in front of me is this what it means to be alive? prechorus: on and on a controlled fall and you don't get to die when you're done refrain: 'cause it'll start over when you think it's over once you get down to it, we let it take us away surrender is beautiful, not painless at the end of the day prechorus refrain I welcome the darkness I welcome the end and you can run, but you don't get to die when you're done try it, fake it convince yourself that we can make it fight it, kill it but you're not done no, we're never quite done yet refrain
7.
well I heard you fell asleep on the floor and we flash like hubris we're not sixteen anymore we're all trying to build our own realities whatever yours is, I hope you don't forget about me there's so much darkness inside this city but I can't see it when we're hand in hand and I'm not as young as I used to be and you're the oldest that you've ever been prechorus: good thing we've got change and fossils in the bottoms of our forgotten backpacks good thing we've got powers and apostles to feel good about and to cover our tracks refrain: I wouldn't change it if I knew how well I heard you had trouble with goodbyes it helps to bite on your tongue or stare with unfocused eyes it's okay to make a change to be alone but always making sure to recognize this life as your own maybe one day we won't stay up all night and we'll take care of ourselves just like a good grownup would but for now we've got the sun to fight and we don't think about next week though we probably should prechorus: good thing we've got new tires and mothers to take us places we'd never have seen good thing we've got many homes and each other to hug away the dentist and to have space to dream refrain

credits

released October 15, 2013

Tim Lykins | Drums, Percussion, Alesis® Controlpad
Helena Martin | Vocals, Piano, Keyboards, Novation® Launch Pad
Mor Mezrich | Bass, Sound Design, MIDI Controllers, Ableton® Live

All songs written by Helena Martin
Produced by Distoria

Recorded and Mixed by Mor Mezrich
at Flux Studios, The Buddy Project, Ears and Gears Recording, and IDC Sound.
Assistant Engineer at Flux | Dan Cherouny

Mastered by Roman Vail at Joe Lambert Mastering

Cover photo © Alan Friedman | avertedimagination.com

For publishing rights and to contact management, please email distoriamusic@gmail.com or visit distoriamusic.com.

Executive Producers:
Nick Tyler, Ruth Martin, Bill Held Jr, Jonna Christine Held

Special thanks to:
Ryan Fagman at IDC Sound | Kieran Kelly at The Buddy Project | Daniel Sanint, Hakim Callier, Fabrice "Fab" Dupont, and the crew at Flux Studios | Jessica Ostroff | Our amazing 59 Kickstarter backers | Our endlessly supportive fans!

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Distoria Queens, New York

Distoria plays melodic pop rock, with piano and drums tightly enmeshed and a driving bass line.

For all requests, please management: mgmt [at] distoriamusic [dot] com

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